Showing posts with label Morality. Show all posts
Showing posts with label Morality. Show all posts

Thursday, December 17, 2009

Holiday Spirits - reviewing A Christmas Carol

The winter holidays begin in 3 days. In this frame of mind (where I am already halfway to Brazil), I am naturally at my lethargic and lazy best - hence the posting of this review, which I wrote around last year for our School newsletter. In the spirit of Eco-friendly recycling and the impending holidays, I reproduce below my little write-up on Charles Dickens' A Christmas Carol.

Enjoy!

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More than 150 years have gone by since Charles Dickens' A Christmas Carol in Prose, Being a Story of Christmas was first published, yet the story continues to be told and re-told from generation to generation. It is a story so familiar to us that it is almost easy to forget that few of us have actually ever read it. Our imaginations can conjure at will its most famous characters; even without having read Dickens' cutting indictment of him, Scrooge is always pictured in our mind's eye as a hunched old man with a drooping, pointed nose. His name is as synonymous to us with miserliness as Romeo and Juliet's are with Love; as Arjuna's is with Bravery and as heart-shaped sun-glasses are with Lolita.

I thus approached 'A Christmas Carol' with a mixture of curiosity as well as presumption. Would the story read any differently than it is told? Would it be a typically Victorian moralistic tale or would it reveal greater depth? Are some classics better left…unread?

Happily for me, the answer to the last question is a resounding 'No'. Only a few pages into the novella I realized that spoken summaries can never do justice to the vividness of Dickens' writing. I found myself utterly engrossed in long passages devoted to, for example, a quality of light or even a table setting! Even more surprising were the dark and disturbing images contained within what I always thought to be somewhat of a 'fairy', feel-good story. It is truly a testament to strong writing and narratorial ability when a story you know well can still keep you in suspense and, occasionally, terrify you.

The greatest revelation, however, was that Dickens created in Scrooge, not a black-and-white caricature, but a complex, intelligent man who is, indeed, not as morally different from us as we would like to believe. As we accompany Scrooge and his ghost-guides on their journey through time, Dickens uses gentle humour and rhetorical stratagems to gradually bring us to a surprising understanding - namely, that Scrooge ultimately represents you and I, stripped of our pretenses and justifications. The moral message of the story hinges upon this crucial realization, for it is in identifying ourselves in Scrooge that we can truly attempt to change ourselves.

As the evenings get chillier and we approach the 25th of December, it would serve us well, in today's cynical world, to (re)visit this timeless tale and travel along with Scrooge on a journey that is as much about the spirit of Christmas as it is about discovering who we are.

Thursday, December 10, 2009

Movie Review:
The Best Little Whorehouse in Texas 

It would never have occurred to me to see, let alone buy a movie called The Best Little Whorehouse in Texas if I hadn't accidentally encountered it while channel surfing one day. I caught it at a particularly cute scene, in which Dolly Parton (who plays the Madame of the brothel in question, Miss Mona) and Burt Reynolds (Sheriff Ed Earl) sing 'Sneakin' Around', a cheerful little duet about their clandestine rendezvous.  I didn't watch it properly after that but bought it, years later, when it was on sale at my local DVD place.

Based on a true-life story and adapted from a musical stage production by the same name, the movie follows the trials and tribulations of 'the Chicken Ranch', a century-old brothel in small-town Texas. The existence of this beloved institution is threatened when Melvin P. Thorpe, a self-styled moral crusader and television reporter, targets the illegal operations of the brothel for a tell-all expose. Matters come to a head when the Sheriff confronts Thorpe on-air and inadvertently compromises the reputation of his town and his paramour, Miss Mona. The plot is played out through these two central characters, although the movie features lively supporting roles, most notably by Charles Durning in his role as the 'sidestepping' Governor. The casting is superb and the actors live and breathe their roles, especially Dolly Parton, who shines as the Madame. As one reviewer said, "You can't help liking Miss Mona - she's not like any prostitute or madam the 1982 movie-going public had ever seen. She's a ray of sunshine, totally forthright, honest, optimistic, generous, open-hearted and sweet."

I watched this movie with my husband who, like me, was thoroughly charmed by it. We both were struck by how natural the relationship between Mona and the Sheriff is - like any happy couple, they are not just lovers but good friends. And, might I add, good people.

Apparently the movie didn't do very well at the box office, possibly because of its controversial title. Family viewing it is not, but neither is it vulgar or inappropriate. As Mona says in her song 'A Lil' Ole Bitty Pissant Country Place', "there's nothin' dirty goin' on!"

Wednesday, December 09, 2009

Morning Assembly

Morning Assembly is a ritual that most Indian Public School students are familiar with. It takes place almost every day and follows a prescribed format – the hymn of the day, a prayer, a ‘thought provoking’ service and the daily announcements. It lasts anywhere between 15 minutes to half an hour. Every once in a while (usually before the holidays), there is a Special Assembly, which can last up to 3 hours long.

I have always been somewhat wary of attending Assembly. I would much rather spend the time sipping a nice cup of tea, reading the morning papers or even just going back to work in my office. These activities provoke much more thought and reflection, in my experience, than an institutionalized prayer or thought-of-the-day.

Retrospection, contemplation, knowing right from wrong…I feel they don't come from attending Assemblies. Indeed, we hardly ever had Assembly at the schools I went to (perhaps the concept isn’t as ingrained in International schools), and I turned out ok. Besides, I am uncomfortable with the idea of structuring ‘philosophical’ musings into 15-minute capsules. To me it replicates the kind of formulaic and empty thinking that has spawned so many self-help books. Is it even possible to have a new ‘truth’ or ‘life lesson’ to talk about every day? How much wisdom can anyone impart or ingest on a daily basis?

The value of Assembly, amongst many other features of the Indian education system, needs to be re-thought, especially for senior school students (as H.S. Singha argues in his book School Education in India). Fewer Assemblies focusing on specific content (as opposed to concepts) would probably make more sense for today's world-weary youth.  

Wednesday, October 11, 2006

The Straight Story

There is no such thing as 'normal' - as a wise madwoman/ philosopher on a bus said the other day, "Normal is a setting on a wash cycle". As someone living in what is known as 'the gay mecca' of the world, I have come to understand 'how the other half lives', in a way I had never been able to before.

Which makes me sympathize greatly with a high-profile signature campaign being staged in India, aiming to get rid of Article 377 of the Indian Penal Code that considers sodomy (and, in effect, homosexuality) a crime. But, while I agree that a law that criminalizes homosexuality is misplaced and wrong, the gay community are not the only victims of India's middle-class morality - we all suffer from it.

Anyone who has lived in New Delhi for even a few months knows that women do not have it easy there. Venturing out alone after dark is an absolute no-no in India's (rape) capital, and sexual crimes - be it eve-teasing or actual rape - take place in broad daylight. Added to this are the jeering stares young couples often get. PDA is not taken lightly in Delhi - at best, you can get away with a crowd of at least 20 people staring at you if you so much as hug a member of the opposite sex. Young couples often resort to cuddling beneath overgrown trees in parks, or furtively holding hands in restaurants. Anything more, and you come across as a "loose character".

I also remember an occasion when a family friend was relating to us how he caught the daughter of a colleague of his holding hands with her husband on their honeymoon. He then went home and called the girl's father (his colleague) to report his daughter's 'disgusting' behavior in detail.

I would like to believe that these interfering individuals honestly think that they are benefiting someone when they take on the role of being society's moral policemen/women. But schadenfreude is intrinsic to most Indians. Its a crying shame coming from the land of the Kamasutra, the Mahabharata and the Ramayana.